Bangor Daily News by Judy Harrison October 13, 2022 Thrilling is the only word that aptly describes the opening concert for the Bangor Symphony Orchestra’s 127th season under the baton […]

Bangor Daily News by Judy Harrison October 13, 2022 Thrilling is the only word that aptly describes the opening concert for the Bangor Symphony Orchestra’s 127th season under the baton […]
A highlight of every Bangor Symphony Orchestra season is hearing a new Lucas Richman composition. “Her Light,” commissioned by Eloise Ricciardelli in honor of her daughter, Cassandra Babbitt, premiered Sunday […]
The Bangor Symphony Orchestra opened its 122nd season Sunday afternoon with a concert that blew the roof off the Collins Center for the Arts and raised the bar for the […]
One of the best things about having composer Lucas Richman as the conductor of the Bangor Symphony Orchestra is the music he writes. Often, they are pieces commissioned by concertgoers […]
One of the best things about having composer Lucas Richman as the conductor of the Bangor Symphony Orchestra is the music he writes. Often, they are pieces commissioned by concertgoers […]
~ ORONO — “Viennese Masters” was the title of the Bangor Symphony Orchestra’s final concert last Sunday in its 2018-19 Masterworks series. Vienna has spawned so many musical masters, but […]
ORONO — The Bangor Symphony Orchestra opened its 123rd season Sunday afternoon with a concert of works by Bernstein, Ravel and Sibelius. Music Director and conductor Lucas Richman remarked that […]
Saturday night in Oak Ridge, a double string quartet was doing its best to go about the routines of daily life while gunshots rang out in the percussion and the rest of the orchestra seemed to be teetering on chaos.
Will a composer’s new music hold up for the long term? If popularity with audiences is one of the criteria, then conductor and composer Lucas Richman’s brand new “Concerto for Piano and Orchestra: In Truth,” certainly qualified.
…is certainly the work of a confident composer. It is also original, thought provoking and intellectually intriguing. If there has been anything heard recently that deserved a standing ovation, Richman’s concerto and DeAlmeida’s performance, was it.